Relief of a Winged Genius Analysis Essays

Relief of a Winged Genius Analysis Essays Relief of a Winged Genius Analysis Paper Relief of a Winged Genius Analysis Paper The Ancient Near-Eastern period of our history marks a very large fundamental change in the way human culture has evolved. At that time, growth of its people and cities had definite improvement on urban society, which has continued to prevail through the years as a major influence over our evolvement. The Artwork found from that period directly reflects that change and evolvement. Better soil, water accessibility, and easier means of trade with other civilizations provided the fabric for this new change. Pieces uncovered by archeologists such as wall reliefs, vases, coins, statues, and jewelry, really show a sophisticated society unlike any seen before its time. One can only imagine what type of people flourished in ancient Mesopotamia, also known as the â€Å"Fertile Crescent†. Through its villages and cities the Ancient Near Eastern people began to colonize and thus spark the first system of hierarchy. Priests and kings held the rite to the land and t he people worshiped them as divine. Palaces in this time of government were adorned with great splendor. Grandiose statues and intricate wall reliefs gave them life. One piece in particular shows Assyria’s vision of worship and hierarchy. â€Å"Relief Showing the Head of a Winged visually depicts the role of worship and deity among this ancient Mesopotamian civilization. Artwork from any era directly mimics the civilization from where it came. This particular piece with its strong emphasis on line and shape lends itself to an overwhelming sense of stylization and sophistication. Though stylized, Relief Showing the Head of a Winged Genius is also very naturalistic. Dated 883 – 859 BCE., this piece tells a much greater story than its limited visual subject matter would lead its viewer to believe. In it’s roughly, 2ft. by 2ft. frame, the dense-looking gypsum gives a candid view of this winged genius, thought to be some sort of god or higher power. Facial expressions are limited to his profile. Serenity in the genius’s face shows a very friendly disposition while his large eyes with thick, content, eyebrows give him a wisdom that seems all-powerful. The genius’s long beard, with intricate stylized curls, also reinforces the attribute of wisdom. The hint of wings, that can almost be mistaken for hair, and his headdress put to r est any doubts that he should be equal to a regular man. Originally, this relief was a part of something much larger. Boy Genius by Carl M, Cannon, Lou Dubose and Juan Reid is a good read about Karl Rove. Karl Rove is a republican political constant. He is most famously known for being the force behind George Bush and George Bush Jr campaigns. Bush Sr. actually gave him the nickname Boy Genius because he is a genius at getting his candidates elected, but sometimes bush would call him blossom. It depended on the mood he was in. The one who brought me into contact with Arakawa Shusaku was Ota Takako, the former mama-san of Pooh-san, that famous bar in Shinjuku’s Golden Gai district. And the one who introduced me to Pooh-san’s proprietress was none other than Okamoto Taro. Okamoto-san brought me to this small pub, with a counter for no more than four or five people and a few chairs and tables against the wall. â€Å"She’s like you. A woman in whose big-hearted presence you can really relax,† he told me.